“In ‘Love Letter’, Dacey could have hardly have found a more fitting or timely text that that of Edna St. Vincent Millay. Nor could she have developed a more fascinating musical way to set this text to intrigue and bring along her listeners..Dacey’s harmonies make intuitive sense, as do certain musical repetitions, ending with a most effective focus on a single voice”

- International Alliance for Women in Music

Sarah’s vocal music and arrangements have been performed by Juice Vocal Ensemble, Paragon singers, Amici Voices, The Oxford Choir, Reigate and Redhill Choral Society and Animas Choir.

Recent commissions include a selection of arrangements for Fretwork’s ‘Albion’ Project in collaboration with Orlando Gough and Nonclassical and arranging three folk songs for Trinity College London’s new Singing Syllabus 2023.

She’s composed and arranged music for theatre including productions at the National Theatre (‘Rutherford & Son’), the Orange Tree Theatre (‘Out of Water’), for Gestalt Arts (‘Liquid History’) and Folkestone Triennial/Sam Belinfante (‘On the Circulation of Blood’).

Her music is published by OUP, YUMP and Trinity College London.